ACLASFC204
Elaborations
- responding to forms of Deaf art that challenge perceptions and stimulate discussion, such as the work of Christine Sun Kim or members of the Australian Theatre of the Deaf
- searching the internet for examples of work by Deaf dancers, musicians or performers of physical theatre that they find particularly effective or moving, for example, performances by Bernard Bragg, Evelyn Glennie or members of the Deaf Arts Network
- comparing responses to creative texts that present personal or controversial points of view in powerful ways, for example, Deaf slam poetry
- exploring the use of technology in Deaf art, film or performance, for example to help build mood or emotional expression
- responding to signed poems that use extended metaphor to communicate values and ideas or to express emotional experience, for example, ‘Butterfly Hands’ by Walter Kadiki
- reflecting on reactions of hearing audiences to deaf performances, for example by evaluating comments made by judges on reality/talent television shows
- discussing the complexity of live theatre performance interpretation and the use of deaf interpreters and consultants
- responding to animations created by or about deaf people and discussing the effectiveness of conveying all parameters of signing, for example, The Long Knife, or Gallaudet: The Filmby Braam Jordaan