ACLASFU210
Elaborations
- noticing limitations on perception of signed languages, such as the more limited space for signed communication compared to space for mime
- exploring perceptual and articulatory reasons why some handshapes are more common than others
- understanding that the elements of a sign can be arbitrary (for example, the handshape or movement of the sign WHY) or meaningful, such as the movement and the handshape in the sign GIVE
- beginning to identify and describe metaphorical iconicity, for example, LOVE, AVOID/RESIST, and discussing how it relates to metaphors in English, for example the ‘time as space’ metaphor in both languages
- applying knowledge of iconicity in signed languages, for example how the path movement of a verb can be a metaphor for the timing of an action, for example PRO1 WAIT-for-a-long-time PRO2, observing that English can do the same with changes to the length of phonemes, for example, I screeeeeeaaaaaamed!
- evaluating video annotation software such as ELAN as a tool to assist in the transcription and analysis of signed languages
- glossing a text, including identifying which signs are used, and transcribing DSs and periods of CA